G.O.O.D. MUSIC’S DREAM TEAM

G.O.O.D. Music is on the verge of forming Voltron. With members Big Sean, Common, Pusha T, John Legend, Kid Cudi and captain Kanye West they’ve already solidified themselves as one of if not the best crew in hip hop. Recently rumors of 2Chainz joining the already star studded team have surfaced, sending waves of panic throughout the industry. The artist formerly known as Tity Boy is hands down the hottest rapper in the game. A partnership with he and a super producer like Kanye is a recipe for classic material. Rumors of their newly formed partnership surfaced when the two appeared together on 106&Park following the release of their new single “Mercy”. Chainz’ debut album is set to be released August 14 through Def Jam Records, but the world is desperately praying for a G.O.O.D. Music affiliation as well.

With the game presently being dominated by the “crew” every label is frantically competing to acquire the most talent in order to assemble the most formidable roster. Lil Waynes YMCMB and Maybach Music Group lead by Rick Ross have been at the forefront of the trend. Between Wayne, Nicki Minaj, Drake, Tyga, Rozay, Meek Mill, Wale, and Stalley the charts and air waves have been
completely monopolized in 2012. G.O.O.D. Is now joining the arms race and attempting to drop a nuke on the competition by acquiring the biggest free agent in the industry! Kanye is the greatest hip hop producer of all time, Big Sean and Pusha T are two of the best lyricists in the game, and Common is a living legend, adding 2Chainz would make this something reminiscent of 90′s Death Row. Its like Lebron James going to the Lakers, or Peyton Manning going to the Cowboys! Its just unfair! How can other labels compete with that level of quality?

For hip-hop’s sake I’m hoping the rumors are truuuuuuuu! Quality rap music is few and far between these days but a union of this magnitude has endless possibilities. After getting a sample of the greatness on “Mercy” the whole word is patiently waiting for more of the classic material. From the looks of it Its gonna be a G.O.O.D. summer!

PUBLISHED 5/1/12
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/good-music-kanye_b_1451087.html

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NO JUSTICE FOR METTA WORLD PEACE

Rodman, Oakley, Laimbeer, Artest, NBA players you do not mess with. This is common knowledge to NBA fans and especially to the players. The elbow from Metta World Peace to the head of James Harden was brutal to say the least but blame can not be fully placed on Artest. Although he has a history of on and off court altercations he’s been a model citizen since joining the Lakers three years ago. No longer resulting in controversy on the court he still approaches every game with the fierceness and intensity that makes him one of the best defenders of all time. Unfortunately in this case his dark past is coming back to haunt him.

“Chippy” is a good word to describe the Oklahoma City Thunder. Players like Kendrick Perkins, James Harden, and Russel Westbrook continuously use subtly abrasive tactics to gain a psychological competitive edge on their opponents. Rightfully so, the game is eighty percent mental so any advantage gained in that regard is priceless. Trash talking, holding, fouling, even something as minuscule as momentarily impeding someone’s progress can be used to agitate an opponent. A late season game against a conference rival like the Los Angeles
Lakers is like adding fuel to this inferno.

After twenty two minutes of incident free basketball, following a thunderous tomahawk dunk and trademark “chest-beating” celebration Metta World Peace hit James Harden with an unintentional elbow to the head. The replay clearly shows his progress down court is purposely being impeded by Harden in an attempt to interrupt his celebration. If you watch closely you can also see Artest never makes eye contact with Harden and is blindly swinging his arm to free himself and continue down court. I’m not condoning throwing elbows, but when you purposely antagonize someone especially someone with a no nonsense personality like Ron Artest you must be prepared for the consequences. The adrenaline rush following the dunk and enthusiastic celebration are the reason for the force in which he swung. The elbow wasn’t given with intent to injure, he was merely attempting to create space.

Had the elbow connected six inches lower to the shoulder rather than the head it wouldn’t have even been called a personal foul. However, it did connect to the head resulting in a concussion, so the flagrant-two and seven game suspensions are warranted. What isn’t warranted is the ridiculous backlash against Artest on social networks and in the media. Suggesting that he should be suspended for an entire season or kicked out of the league is utterly ridiculous. This was a mistake. Basketball is an extremely physical and emotional sport. Altercations will happen and people will get hurt, its inevitable! The attempts to ostracize the man who’s been such an ambassador for mental health awareness are just ignorant and mean spirited. He was removed from the game, he’s been suspended, now leave him be. Stop allowing your Laker-hate to cloud your better judgment.

PUBLISHED 4/30/12
CHECK IT OUT OF HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/ron-artest-metta-world-peace_b_1451052.html

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THANK BASED GOD

The Based God is legendary. Revolutionary, iconic, and prolific to say the least, he’s quickly become one of the most polarizing figures in hip hop. His “Based” movement that started in Berkeley, California has now reached the east coast, and even over seas. Controversial lyrics like “bitches on my dick cause I look like Jesus Christ” consistently make him a topic of discussion on the hip hop gossip sites. With over 400,000 twitter followers and millions of youtube views it doesn’t seem like we’ll be getting rid of Lil Boss anytime soon.

Brandon McCartney, more commonly known as Lil B, has created an innovative new style of rap more similar to that of spoken word. Following a “stream of consciousness” type of flow he freestyles over instrumentals conveying his most honest and sincerest emotions. This avant-garde approach to rap has resulted in a large cult like following for the California MC. To appease the Based God and show their undying devotion daily “girlfriend offerings” are made by fans via twitter and even during live performances (this actually happens). Stemming from
an alib in his hit “Wonton Soup” this, like many other Based God lyrics, has taken on a life of its own.

Its remarkable that an unsigned artist could generate so much interest with the current state of the industry. With no famous guest appearances, radio spins, or backing from a major label, Lil B has still managed to develop an internet following large enough to keep him touring everywhere from L.A. to the U.K. Since 2011 his tireless work ethic has produced an unprecedented ten mixtapes. In an era where it seems quantity is more valuable than quality that stat alone is grounds enough for major respect. But make no mistake Lil B’s music is most certainly quality, actually it is of the highest. Its just hard for some to accept that he doesn’t fit into the traditional parameters of what a rapper should be. He raps about being broke, calls himself a bitch, and even had the audacity to entitle an album I’m Gay. Way too outlandish for many hip-hop purists to co-sign, but isn’t that the essence of the culture itself; new innovative methods of self expression without any rules to stifle your creativity?

Based God represents the future. Whether its his music or the lane the music is creating his impact will be revolutionary. He’s continuously pushed the boundaries of subject matter with songs about domestic violence, Aids, cancer, gang violence and many other topics rap artists are too afraid to address. Along with his radical delivery and style of dress he’s become a pioneer of the “new age” of hip hop. Although multi-platinum mainstream success may never be a reality for this McCartney, for future generations his influence will be undeniable.

The Based God is legendary. Revolutionary, iconic, and prolific to say the least, he’s quickly become one of the most polarizing figures in hip hop. His “Based” movement that started in Berkeley, California has now reached the east coast, and even over seas. Controversial lyrics like “bitches on my dick cause I look like Jesus Christ” consistently make him a topic of discussion on the hip hop gossip sites. With over 400,000 twitter followers and millions of youtube views it doesn’t seem like we’ll be getting rid of Lil Boss anytime soon.

Brandon McCartney, more commonly known as Lil B, has created an innovative new style of rap more similar to that of spoken word. Following a “stream of consciousness” type of flow he freestyles over instrumentals conveying his most honest and sincerest emotions. This avant-garde approach to rap has resulted in a large cult like following for the California MC. To appease the Based God and show their undying devotion daily “girlfriend offerings” are made by fans via twitter and even during live performances (this actually happens). Stemming from
an alib in his hit “Wonton Soup” this, like many other Based God lyrics, has taken on a life of its own.

Its remarkable that an unsigned artist could generate so much interest with the current state of the industry. With no famous guest appearances, radio spins, or backing from a major label, Lil B has still managed to develop an internet following large enough to keep him touring everywhere from L.A. to the U.K. Since 2011 his tireless work ethic has produced an unprecedented ten mixtapes. In an era where it seems quantity is more valuable than quality that stat alone is grounds enough for major respect. But make no mistake Lil B’s music is most certainly quality, actually it is of the highest. Its just hard for some to accept that he doesn’t fit into the traditional parameters of what a rapper should be. He raps about being broke, calls himself a bitch, and even had the audacity to entitle an album I’m Gay. Way too outlandish for many hip-hop purists to co-sign, but isn’t that the essence of the culture itself; new innovative methods of self expression without any rules to stifle your creativity?

Based God represents the future. Whether its his music or the lane the music is creating his impact will be revolutionary. He’s continuously pushed the boundaries of subject matter with songs about domestic violence, Aids, cancer, gang violence and many other topics rap artists are too afraid to address. Along with his radical delivery and style of dress he’s become a pioneer of the “new age” of hip hop. Although multi-platinum mainstream success may never be a reality for this McCartney, for future generations his influence will be undeniable.

PUBLISHED 3/29/12
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/based-god-music_b_1381566.html

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Niggas In Poorest

“Who the fuck is Margiela??” That’s what most of us wondered the first time we heard The Throne’s “Niggas In Paris.” But Yasiin Bey (the artist formerly known as Mos Def) actually had the balls to say it! His remix of last years biggest record entitled “Niggas In Poorest” was the polar opposite of the original. Where Jay and Ye gave us a three minute look into their outlandishly extravagant lives, Yasiin reminded us how the other 99.9 percent of the planet is living.

The Paris instrumental was one of the best of 2011 and provoked freestyles from Meek Mill, Busta Rhymes, Freeway, Lambo Show, Lil Wayne, Young Jeezy, The Game, and Chris Brown just to name a few! But none came close to matching the perspective or realness displayed by Mighty Mos. He’s always been unfairly labeled a “conscious rapper,” but with the world in a global recession conscious maybe exactly what we need.

Kanye West is one of my favorite artist of all time, and being a rapper from Brooklyn myself, the admiration for Jay-Z goes without saying; but the disconnect between the fans and “Niggas In Paris” was colossal. We don’t know who or what “Margiela” is, we do not own “rollies”, and whats fifty grand to a nigga like me? More Than My Annual Salary!!!

Despite the angle taken by Yasiin on “Niggas In Poorest” it isn’t a “diss record.” Mos Def had a long history of collaborations with Kanye West, and was never really a confrontational MC to begin with. He simply allowed his art to reflect real life, which in this fake it til you make it industry is a rarity. Its great for Jay and Kanye to celebrate their unprecedented wealth and success, but the average fan just can’t relate.

Hip hop music is most powerful when it truly resonates with the listener.

“Niggas In Paris” was undoubtedly the single of the year, but did the genre an even greater justice by creating the opportunity for such a contrasting remix. “Niggas In Poorest” is rap in its purest form. Truthful words, over a borrowed beat, spit by an exceptional lyricist. It can’t get much better than that!! Don’t get caught up in no Throne!

PUBLISHED 3/12/12
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/mos-def-yasiin-bey-niggas-in-poorest_b_1336929.html

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ATLiens In 2012

I need Andre 3000 to make a triumphant return in 2012. With rumors of a new Outkast album flooding the blogs, and a slew of Dre guest appearances last year — on singles from Beyonce, Young Jeezy and Lloyd — it’s looking like he might bring his hiatus to an end. And who better to revitalize the genre then the creative genius behind its most influential group.
Southern hip hop’s quantum leap from regional side note to focal point of the industry was spearheaded by Atlanta’s rap renaissance — where hometown heros Decatur DaVinci Andre Benjamin and his partner Antwan “Big Boi” Patton would single-handedly established the Southern rap sub divisions that would soon dominate the mainstream.

Take T.I. Now widely accepted as “King of The South,” he was introduced with the appropriately titled LP Trap Music, an album that revolves around the “trap” or “trapper” lifestyle — a concept introduced to the mainstream a decade earlier with Outkast’s third album Aquemini (“Ya’ll Scared,” “Spottieottiedopalicious”). Meanwhile, Lil Johns “crunk” empire ushered him to top of the Billboard charts and the Forbes list, but A-town’s dynamic duo was responsible for coining the phrase (Aquemini’s Rosa Parks). And Lil Wayne’s extraterrestrial angle on his Carter III and I am Not A Human Being albums put an alternative spin on his hardcore persona, propelling him to crazy mainstream success. ATLiens ’96 — you see where this is going?

Dre’s influence wasn’t only limited to Southern hip-hop. Kanye West’s 2008 LP 808′s And Heartbreak was basically his version of Andre 3000′s Grammy Award-winning The Love Below. The only hip hop record to ever win Album Of The Year; it revolutionized the game and created a lane for current “rap & B” chart toppers like Drake and B.O.B.

If only 3000 was a little bit more accessible, like Big Boi, we wouldn’t be here! During Dre’s extended leave of absence, his partner in rhyme has been everywhere. Forget about his critically acclaimed 2010 solo album Sir Lucius Left Foot: Son of Chico Dusty — he’s featured on countless songs, performes two hundred times a year, and became the official spokesperson for Crown Royal.

Sporadic guest appearances and solo albums from Big Boi are cool… but who are we kidding? The game needs some pure, unadulterated Three Stacks! The dynamic the two create together is unparalleled. Possum Alawicious Jenkins Andre 3000 is the shot of adrenaline the game desperately needs. Following the deaths of Tupac Shakur and The Notorious B.I.G., hip-hop’s future going into the new millennium was decidedly shaky. Outkast’s music bridged that gap. In this similarly uninspired rap era, I think they’re the ones capable of saving us again.

We need innovators. We need creativity and individuality to reanimate and revitalize the genre. So for the sake of me and you, yo momma and yo cousin too, I’m predicting that the ATLiens return in 2012 to make things so fresh and so clean once more!

PUBLISHED 2/10/12
CHECK IT OUT ON HUFFINGTONPOST.COM – HERE:http://www.huffingtonpost.com/sharief-easterling/andre-3000-outkast-return_b_1264607.html

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