KANYE AND THE FLASHING LIGHTS

When did photographers devolve into paparazzi? What once was such a respectable profession, and vital aspect of pop culture has snowballed into something spiteful, malicious, and just plain ugly. Even someone as popular as Kanye West, who for almost a decade has been public enemy #1 amongst the picture taking parasites deserves a certain level of privacy.

Publicity is needed for a celebrity in any field to be successful. However, they’re still people and that entitles them to maintain some sort of confidentiality regarding their personal life. Waiting outside airports or studios is fine, but showing up at Kanye’s home at 4 a.m. in an attempt to snap an unflattering photo is deplorable. Where’s the decency? Does the fact that you’re a musician mean you sacrifice your basic human rights?

The dynamic of the entire system is flawed. There’s no way someone should be able to take a picture of you against your will, then sell it to a publication without you even seeing the slightest form of compensation. There should be limitations on when and where pictures can be taken, and a portion of the money received by the photographer should also be paid to the person featured in the photo. The entertainment industry is based on images and branding, anytime someone’s likeness is used to turn a profit said person is entitled to a percentage. With public perception being such a determining factor for a musician’s success how is it even legal for photographers to operate in such a manner?

Kanye’s been sued multiple times by paparazzi claiming he assaulted them or destroyed their property during confrontations they themselves initiated. How ridiculous is it to press charges against someone after antagonizing them so deliberately? Princess Diana was killed by an overzealous paparazzo in a car chase on a civilian highway. A tragedy of such magnitude should’ve sparked a change over a decade ago, but their reckless pursuit of incriminating photos continues to jeopardize the safety of not only celebs but civilians to this day.

Photojournalism is a necessary evil. Celebrities need it to be successful, and society needs it to quench their insatiable thirst for pop culture. Kanye mentioned in a recent interview with Zane Lowe that he’s working towards adding some type of regulation to help this flawed system. Hoping that by the time his new born daughter is old enough to grasp the concept of paparazzi taking her pictures she can also receive compensation for them. Is Yeezus capable of performing such miracles? Only time will tell, but if things do stay the same it’ll truely be an injustice for us all.

PUBLISHED 10/7/13
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/kanye-the-flashing-lights_b_4057657.html

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Lupe Fiasco and the Greatest Rap Video of All Time

Summer of 2013 might be hot enough to finally bring hip-hop off the respirator. Jay-Z has once again revolutionized the way artists release albums with Magna Carta… Holy Grail. J.Cole has solidified himself as one of the greats with his classic sophomore LP Born Sinner. Kanye West has pushed the envelope with a project so ahead of its time it probably won’t be fully appreciated until years from now. Wale and Mac Miller even released great albums as well. But the summer was stolen by the new video from Lupe Fiasco.

While everyone (myself included) was preoccupied with the new Jay-Z masterpiece, Lupe gave us a dose of what the culture so desperately needs. Hi 12-minute, 53-second, three-song video for “Lamborghini Angels/ ITAL Roses/ Audubon Ballroom” was a slap in the face to themolly popping, dumbed down music that’s polluting our culture; to the social and political restraints that continuously oppress our people; and to the many players responsible for perpetuating these ugly truths.

This serving of food for thought from Food and Liquor 2 is the best rap video ever made in my opinion. How appropriate it be released on America’s Independence Day. What validity does such a holiday have for our people when we’re still so heavily influenced by the mental chains? With the “Slave Mentality” so prominent in our community, what freedom is there to celebrate? Independence should mean a bit more than a day off from the plantation and all the BBQ we can eat.

Lupe Fiasco is one of the few rappers whose main objective has always been his social and political obligation to the community. We could use more instances of artists like Kanye West making songs like “New Slaves” and using their influence for something greater than fashion trends or brand endorsement. I’ve always admired Lupe for being so proactive about the problems facing our people, even when it’s not the most popular thing to do. We should all have the courage to be individuals and fight for what they believe in.

Visually captivating, innovative, ground breaking, revolutionary — I could go on praising this video forever, but the highlight of the entire thing was the kid who starred in the “ITAL Roses” portion of the film. He’s absolutely adorable, but it’s the symbolism of his character that makes the role so significant. He is me. He is my unborn son. He is my dad, my brother, my cousins, and all of my friends. Metaphorically, he’s all of us. Every black man born in America unfairly handicapped and brainwashed by the propaganda we’re force-fed from birth.

The problem is bigger than the best rap video of all time. Bigger than Lupe Fiasco, and the entire Hip Hop culture as a whole. But it’s dope for us to be able to use rap music as a tool to combat socioeconomic inequality. As the methods used to oppress our people become more sophisticated, so must we. It’s imperative that we adapt to the times so the message can resonate throughout every demographic. The social media age makes a music video the perfect vehicle to deliver such a message. Thanks to sites like Facebook, Twitter, IG, etc millions of people will get to experience this gem despite the reluctance of radio and television to support such a radical message.

From one American to another, from one rapper to another, but most importantly from one black man to another I thank you Lupe. So many artists claiming to be “real n****s” don’t have the audacity to make this type of statement, but thank God for us you do. Salute.

PUBLISHED 7/11/13
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/lupe-fiasco-music-video_b_3577337.html

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G.O.O.D. MUSIC’S DREAM TEAM

G.O.O.D. Music is on the verge of forming Voltron. With members Big Sean, Common, Pusha T, John Legend, Kid Cudi and captain Kanye West they’ve already solidified themselves as one of if not the best crew in hip hop. Recently rumors of 2Chainz joining the already star studded team have surfaced, sending waves of panic throughout the industry. The artist formerly known as Tity Boy is hands down the hottest rapper in the game. A partnership with he and a super producer like Kanye is a recipe for classic material. Rumors of their newly formed partnership surfaced when the two appeared together on 106&Park following the release of their new single “Mercy”. Chainz’ debut album is set to be released August 14 through Def Jam Records, but the world is desperately praying for a G.O.O.D. Music affiliation as well.

With the game presently being dominated by the “crew” every label is frantically competing to acquire the most talent in order to assemble the most formidable roster. Lil Waynes YMCMB and Maybach Music Group lead by Rick Ross have been at the forefront of the trend. Between Wayne, Nicki Minaj, Drake, Tyga, Rozay, Meek Mill, Wale, and Stalley the charts and air waves have been
completely monopolized in 2012. G.O.O.D. Is now joining the arms race and attempting to drop a nuke on the competition by acquiring the biggest free agent in the industry! Kanye is the greatest hip hop producer of all time, Big Sean and Pusha T are two of the best lyricists in the game, and Common is a living legend, adding 2Chainz would make this something reminiscent of 90′s Death Row. Its like Lebron James going to the Lakers, or Peyton Manning going to the Cowboys! Its just unfair! How can other labels compete with that level of quality?

For hip-hop’s sake I’m hoping the rumors are truuuuuuuu! Quality rap music is few and far between these days but a union of this magnitude has endless possibilities. After getting a sample of the greatness on “Mercy” the whole word is patiently waiting for more of the classic material. From the looks of it Its gonna be a G.O.O.D. summer!

PUBLISHED 5/1/12
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/good-music-kanye_b_1451087.html

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THANK BASED GOD

The Based God is legendary. Revolutionary, iconic, and prolific to say the least, he’s quickly become one of the most polarizing figures in hip hop. His “Based” movement that started in Berkeley, California has now reached the east coast, and even over seas. Controversial lyrics like “bitches on my dick cause I look like Jesus Christ” consistently make him a topic of discussion on the hip hop gossip sites. With over 400,000 twitter followers and millions of youtube views it doesn’t seem like we’ll be getting rid of Lil Boss anytime soon.

Brandon McCartney, more commonly known as Lil B, has created an innovative new style of rap more similar to that of spoken word. Following a “stream of consciousness” type of flow he freestyles over instrumentals conveying his most honest and sincerest emotions. This avant-garde approach to rap has resulted in a large cult like following for the California MC. To appease the Based God and show their undying devotion daily “girlfriend offerings” are made by fans via twitter and even during live performances (this actually happens). Stemming from
an alib in his hit “Wonton Soup” this, like many other Based God lyrics, has taken on a life of its own.

Its remarkable that an unsigned artist could generate so much interest with the current state of the industry. With no famous guest appearances, radio spins, or backing from a major label, Lil B has still managed to develop an internet following large enough to keep him touring everywhere from L.A. to the U.K. Since 2011 his tireless work ethic has produced an unprecedented ten mixtapes. In an era where it seems quantity is more valuable than quality that stat alone is grounds enough for major respect. But make no mistake Lil B’s music is most certainly quality, actually it is of the highest. Its just hard for some to accept that he doesn’t fit into the traditional parameters of what a rapper should be. He raps about being broke, calls himself a bitch, and even had the audacity to entitle an album I’m Gay. Way too outlandish for many hip-hop purists to co-sign, but isn’t that the essence of the culture itself; new innovative methods of self expression without any rules to stifle your creativity?

Based God represents the future. Whether its his music or the lane the music is creating his impact will be revolutionary. He’s continuously pushed the boundaries of subject matter with songs about domestic violence, Aids, cancer, gang violence and many other topics rap artists are too afraid to address. Along with his radical delivery and style of dress he’s become a pioneer of the “new age” of hip hop. Although multi-platinum mainstream success may never be a reality for this McCartney, for future generations his influence will be undeniable.

The Based God is legendary. Revolutionary, iconic, and prolific to say the least, he’s quickly become one of the most polarizing figures in hip hop. His “Based” movement that started in Berkeley, California has now reached the east coast, and even over seas. Controversial lyrics like “bitches on my dick cause I look like Jesus Christ” consistently make him a topic of discussion on the hip hop gossip sites. With over 400,000 twitter followers and millions of youtube views it doesn’t seem like we’ll be getting rid of Lil Boss anytime soon.

Brandon McCartney, more commonly known as Lil B, has created an innovative new style of rap more similar to that of spoken word. Following a “stream of consciousness” type of flow he freestyles over instrumentals conveying his most honest and sincerest emotions. This avant-garde approach to rap has resulted in a large cult like following for the California MC. To appease the Based God and show their undying devotion daily “girlfriend offerings” are made by fans via twitter and even during live performances (this actually happens). Stemming from
an alib in his hit “Wonton Soup” this, like many other Based God lyrics, has taken on a life of its own.

Its remarkable that an unsigned artist could generate so much interest with the current state of the industry. With no famous guest appearances, radio spins, or backing from a major label, Lil B has still managed to develop an internet following large enough to keep him touring everywhere from L.A. to the U.K. Since 2011 his tireless work ethic has produced an unprecedented ten mixtapes. In an era where it seems quantity is more valuable than quality that stat alone is grounds enough for major respect. But make no mistake Lil B’s music is most certainly quality, actually it is of the highest. Its just hard for some to accept that he doesn’t fit into the traditional parameters of what a rapper should be. He raps about being broke, calls himself a bitch, and even had the audacity to entitle an album I’m Gay. Way too outlandish for many hip-hop purists to co-sign, but isn’t that the essence of the culture itself; new innovative methods of self expression without any rules to stifle your creativity?

Based God represents the future. Whether its his music or the lane the music is creating his impact will be revolutionary. He’s continuously pushed the boundaries of subject matter with songs about domestic violence, Aids, cancer, gang violence and many other topics rap artists are too afraid to address. Along with his radical delivery and style of dress he’s become a pioneer of the “new age” of hip hop. Although multi-platinum mainstream success may never be a reality for this McCartney, for future generations his influence will be undeniable.

PUBLISHED 3/29/12
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/based-god-music_b_1381566.html

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Niggas In Poorest

“Who the fuck is Margiela??” That’s what most of us wondered the first time we heard The Throne’s “Niggas In Paris.” But Yasiin Bey (the artist formerly known as Mos Def) actually had the balls to say it! His remix of last years biggest record entitled “Niggas In Poorest” was the polar opposite of the original. Where Jay and Ye gave us a three minute look into their outlandishly extravagant lives, Yasiin reminded us how the other 99.9 percent of the planet is living.

The Paris instrumental was one of the best of 2011 and provoked freestyles from Meek Mill, Busta Rhymes, Freeway, Lambo Show, Lil Wayne, Young Jeezy, The Game, and Chris Brown just to name a few! But none came close to matching the perspective or realness displayed by Mighty Mos. He’s always been unfairly labeled a “conscious rapper,” but with the world in a global recession conscious maybe exactly what we need.

Kanye West is one of my favorite artist of all time, and being a rapper from Brooklyn myself, the admiration for Jay-Z goes without saying; but the disconnect between the fans and “Niggas In Paris” was colossal. We don’t know who or what “Margiela” is, we do not own “rollies”, and whats fifty grand to a nigga like me? More Than My Annual Salary!!!

Despite the angle taken by Yasiin on “Niggas In Poorest” it isn’t a “diss record.” Mos Def had a long history of collaborations with Kanye West, and was never really a confrontational MC to begin with. He simply allowed his art to reflect real life, which in this fake it til you make it industry is a rarity. Its great for Jay and Kanye to celebrate their unprecedented wealth and success, but the average fan just can’t relate.

Hip hop music is most powerful when it truly resonates with the listener.

“Niggas In Paris” was undoubtedly the single of the year, but did the genre an even greater justice by creating the opportunity for such a contrasting remix. “Niggas In Poorest” is rap in its purest form. Truthful words, over a borrowed beat, spit by an exceptional lyricist. It can’t get much better than that!! Don’t get caught up in no Throne!

PUBLISHED 3/12/12
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/mos-def-yasiin-bey-niggas-in-poorest_b_1336929.html

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ATLiens In 2012

I need Andre 3000 to make a triumphant return in 2012. With rumors of a new Outkast album flooding the blogs, and a slew of Dre guest appearances last year — on singles from Beyonce, Young Jeezy and Lloyd — it’s looking like he might bring his hiatus to an end. And who better to revitalize the genre then the creative genius behind its most influential group.
Southern hip hop’s quantum leap from regional side note to focal point of the industry was spearheaded by Atlanta’s rap renaissance — where hometown heros Decatur DaVinci Andre Benjamin and his partner Antwan “Big Boi” Patton would single-handedly established the Southern rap sub divisions that would soon dominate the mainstream.

Take T.I. Now widely accepted as “King of The South,” he was introduced with the appropriately titled LP Trap Music, an album that revolves around the “trap” or “trapper” lifestyle — a concept introduced to the mainstream a decade earlier with Outkast’s third album Aquemini (“Ya’ll Scared,” “Spottieottiedopalicious”). Meanwhile, Lil Johns “crunk” empire ushered him to top of the Billboard charts and the Forbes list, but A-town’s dynamic duo was responsible for coining the phrase (Aquemini’s Rosa Parks). And Lil Wayne’s extraterrestrial angle on his Carter III and I am Not A Human Being albums put an alternative spin on his hardcore persona, propelling him to crazy mainstream success. ATLiens ’96 — you see where this is going?

Dre’s influence wasn’t only limited to Southern hip-hop. Kanye West’s 2008 LP 808′s And Heartbreak was basically his version of Andre 3000′s Grammy Award-winning The Love Below. The only hip hop record to ever win Album Of The Year; it revolutionized the game and created a lane for current “rap & B” chart toppers like Drake and B.O.B.

If only 3000 was a little bit more accessible, like Big Boi, we wouldn’t be here! During Dre’s extended leave of absence, his partner in rhyme has been everywhere. Forget about his critically acclaimed 2010 solo album Sir Lucius Left Foot: Son of Chico Dusty — he’s featured on countless songs, performes two hundred times a year, and became the official spokesperson for Crown Royal.

Sporadic guest appearances and solo albums from Big Boi are cool… but who are we kidding? The game needs some pure, unadulterated Three Stacks! The dynamic the two create together is unparalleled. Possum Alawicious Jenkins Andre 3000 is the shot of adrenaline the game desperately needs. Following the deaths of Tupac Shakur and The Notorious B.I.G., hip-hop’s future going into the new millennium was decidedly shaky. Outkast’s music bridged that gap. In this similarly uninspired rap era, I think they’re the ones capable of saving us again.

We need innovators. We need creativity and individuality to reanimate and revitalize the genre. So for the sake of me and you, yo momma and yo cousin too, I’m predicting that the ATLiens return in 2012 to make things so fresh and so clean once more!

PUBLISHED 2/10/12
CHECK IT OUT ON HUFFINGTONPOST.COM – HERE:http://www.huffingtonpost.com/sharief-easterling/andre-3000-outkast-return_b_1264607.html

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