Lebron’s Not The MVP

Most Valuable Player to me means the player most significant to their team’s success. LeBron James won the award for the 2011-2012 season, marking the third time he’s taken the trophy in four years. Although this was his best season statistically there are other players whose individual contributions were more vital to their respective team’s success. The two previous times he’s won the award were during seasons of 60+ wins, and more importantly number one seeding for his Cleveland Cavaliers. Undoubtedly the team leader James was the only elite level player on the roster, single handedly leading them to the top of the conference. There’s no better reflection of LeBron’s impact on the team than its record the season he took his talents to South Beach. In 2010-2011 the Cavs went 19-63 ironically losing a record tying 23 consecutive games. It’s astonishing to think that one player could have so much impact on a franchise, but the Most Valuable Player can.

Although this current MVP season was statistically his best, the circumstances in which they were achieved lead me to question its credibility. It isn’t an award for best player, or best statistical season. Its for the player most important to maximizing his team’s potential. The Miami Heat finished second in the East to a Chicago Bulls team that played virtually half the year without 2010-2011 MVP Derrick Rose, not very impressive. Especially with one of the most talented rosters in league history. A roster that includes three of the top fifteen players in the league, an NCAA Championship MOP Mario Chalmers, a former three-point contest champion James Jones, and a perennial member of the NBA’s All-Defensive team in Shane Battier. With that roster a far lesser, non-MVP-caliber player could be interchanged with Lebron and achieve the same regular season success. I could easily see a team of Wade, Bosh and say Danny Granger being the number two seed in the Eastern Conference. Players like Joe Johnson, Luol Deng, or Rudy Gay could all be eligible candidates as well.

There’s no way someone on such a heavily talented team should be voted MVP. This season’s scoring champion Kevin Durant was irreplaceable for Oklahoma City. No one other than an all world MVP-caliber player could’ve led them to the second seed in the highly competitive Western Conference. At 33 years of age Kobe Bryant put together one of the most remarkable seasons in NBA history. In his sixteenth year after losing the greatest coach of all time, and tearing ligaments in his shooting wrist during the preseason Bryant still managed to
finish second in PPG leading the Lakers to the third best record in the conference. All this after the “Chris Paul Fiasco” divided his locker room and led to the departure of former Sixth-Man of the Year Lamar Odom. Tony Parker even led his wildly over-achieving San Antonio Spurs to the best record in the league, and are now the favorites to win the title. Not saying they’re better players, or even that they had better seasons, but they all played more of an essential role in their respective team’s success than Mr. James.

Most Valuable Player is an individual award but one’s supporting cast must be taken into consideration when voting. Finishing second in an inferior conference when you have one of the most dynamic rosters in history isn’t an MVP season to me. Lebron was most certainly worthy of the award, I just think the other candidates were a bit more deserving.

PUBLISHED 6/01/12
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/lebron-james-mvp-award_b_1551501.html

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BRIAN MCNAUGHTY

Brian Mcknight, sit yo ass down! This attempted come back and “Adult Mixtape” was an epic fail! There isn’t anything wrong with trying to re-invent your image or sound but this is just down right terrible. “Let me show you how your pussy works??” Seriously? These lyrics from one of the best singer/songwriters of our era? I’m ashamed of you, Brian. Although I’m extremely thankful for the lifetime of laughter your viral video has provided me, HA!

The desperation to sell records is at an all time high but you can try harder bro. This song couldn’t be worse if you added rap verses and auto tunes. It sounds like your 1992 hit “One Last Cry”… if Uncle Luke rewrote the lyrics. Your music was already certified baby making material there’s no need to be X-rated. Its tacky, classless, and coming from you, Mr. McKnight, just feels
wrong. You added insult to injury by claiming the song was merely a “parody,” and blaming it on the boredom of being immobilized by an achilles injury. Please spare us the lame excuses, this was undoubtedly a serious attempt at a comeback. The sad part is that with the current state of R&B you’d probably be rather successful if you just stayed in your lane.

In this age of techno-pop and Rap&B, some classic Brian McKnight would be quite refreshing. Unless you’re making an appearance on Saturday Night Live in the near future this should be the first and last release from your “Adult Mixtape.” I’m sorry but a “Brian McKnight Mixtape” sounds like an oxymoron in itself. You’re a legend dude, don’t tarnish your legacy with the likes of this.

PUBLISHED 5/4/12
CHECK IT OUT ON HUFFINGTONPOT.COM – http://www.huffingtonpost.com/sharief-easterling/brian-mcknight-adult-mixtape_b_1469777.html

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G.O.O.D. MUSIC’S DREAM TEAM

G.O.O.D. Music is on the verge of forming Voltron. With members Big Sean, Common, Pusha T, John Legend, Kid Cudi and captain Kanye West they’ve already solidified themselves as one of if not the best crew in hip hop. Recently rumors of 2Chainz joining the already star studded team have surfaced, sending waves of panic throughout the industry. The artist formerly known as Tity Boy is hands down the hottest rapper in the game. A partnership with he and a super producer like Kanye is a recipe for classic material. Rumors of their newly formed partnership surfaced when the two appeared together on 106&Park following the release of their new single “Mercy”. Chainz’ debut album is set to be released August 14 through Def Jam Records, but the world is desperately praying for a G.O.O.D. Music affiliation as well.

With the game presently being dominated by the “crew” every label is frantically competing to acquire the most talent in order to assemble the most formidable roster. Lil Waynes YMCMB and Maybach Music Group lead by Rick Ross have been at the forefront of the trend. Between Wayne, Nicki Minaj, Drake, Tyga, Rozay, Meek Mill, Wale, and Stalley the charts and air waves have been
completely monopolized in 2012. G.O.O.D. Is now joining the arms race and attempting to drop a nuke on the competition by acquiring the biggest free agent in the industry! Kanye is the greatest hip hop producer of all time, Big Sean and Pusha T are two of the best lyricists in the game, and Common is a living legend, adding 2Chainz would make this something reminiscent of 90′s Death Row. Its like Lebron James going to the Lakers, or Peyton Manning going to the Cowboys! Its just unfair! How can other labels compete with that level of quality?

For hip-hop’s sake I’m hoping the rumors are truuuuuuuu! Quality rap music is few and far between these days but a union of this magnitude has endless possibilities. After getting a sample of the greatness on “Mercy” the whole word is patiently waiting for more of the classic material. From the looks of it Its gonna be a G.O.O.D. summer!

PUBLISHED 5/1/12
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/good-music-kanye_b_1451087.html

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THANK BASED GOD

The Based God is legendary. Revolutionary, iconic, and prolific to say the least, he’s quickly become one of the most polarizing figures in hip hop. His “Based” movement that started in Berkeley, California has now reached the east coast, and even over seas. Controversial lyrics like “bitches on my dick cause I look like Jesus Christ” consistently make him a topic of discussion on the hip hop gossip sites. With over 400,000 twitter followers and millions of youtube views it doesn’t seem like we’ll be getting rid of Lil Boss anytime soon.

Brandon McCartney, more commonly known as Lil B, has created an innovative new style of rap more similar to that of spoken word. Following a “stream of consciousness” type of flow he freestyles over instrumentals conveying his most honest and sincerest emotions. This avant-garde approach to rap has resulted in a large cult like following for the California MC. To appease the Based God and show their undying devotion daily “girlfriend offerings” are made by fans via twitter and even during live performances (this actually happens). Stemming from
an alib in his hit “Wonton Soup” this, like many other Based God lyrics, has taken on a life of its own.

Its remarkable that an unsigned artist could generate so much interest with the current state of the industry. With no famous guest appearances, radio spins, or backing from a major label, Lil B has still managed to develop an internet following large enough to keep him touring everywhere from L.A. to the U.K. Since 2011 his tireless work ethic has produced an unprecedented ten mixtapes. In an era where it seems quantity is more valuable than quality that stat alone is grounds enough for major respect. But make no mistake Lil B’s music is most certainly quality, actually it is of the highest. Its just hard for some to accept that he doesn’t fit into the traditional parameters of what a rapper should be. He raps about being broke, calls himself a bitch, and even had the audacity to entitle an album I’m Gay. Way too outlandish for many hip-hop purists to co-sign, but isn’t that the essence of the culture itself; new innovative methods of self expression without any rules to stifle your creativity?

Based God represents the future. Whether its his music or the lane the music is creating his impact will be revolutionary. He’s continuously pushed the boundaries of subject matter with songs about domestic violence, Aids, cancer, gang violence and many other topics rap artists are too afraid to address. Along with his radical delivery and style of dress he’s become a pioneer of the “new age” of hip hop. Although multi-platinum mainstream success may never be a reality for this McCartney, for future generations his influence will be undeniable.

The Based God is legendary. Revolutionary, iconic, and prolific to say the least, he’s quickly become one of the most polarizing figures in hip hop. His “Based” movement that started in Berkeley, California has now reached the east coast, and even over seas. Controversial lyrics like “bitches on my dick cause I look like Jesus Christ” consistently make him a topic of discussion on the hip hop gossip sites. With over 400,000 twitter followers and millions of youtube views it doesn’t seem like we’ll be getting rid of Lil Boss anytime soon.

Brandon McCartney, more commonly known as Lil B, has created an innovative new style of rap more similar to that of spoken word. Following a “stream of consciousness” type of flow he freestyles over instrumentals conveying his most honest and sincerest emotions. This avant-garde approach to rap has resulted in a large cult like following for the California MC. To appease the Based God and show their undying devotion daily “girlfriend offerings” are made by fans via twitter and even during live performances (this actually happens). Stemming from
an alib in his hit “Wonton Soup” this, like many other Based God lyrics, has taken on a life of its own.

Its remarkable that an unsigned artist could generate so much interest with the current state of the industry. With no famous guest appearances, radio spins, or backing from a major label, Lil B has still managed to develop an internet following large enough to keep him touring everywhere from L.A. to the U.K. Since 2011 his tireless work ethic has produced an unprecedented ten mixtapes. In an era where it seems quantity is more valuable than quality that stat alone is grounds enough for major respect. But make no mistake Lil B’s music is most certainly quality, actually it is of the highest. Its just hard for some to accept that he doesn’t fit into the traditional parameters of what a rapper should be. He raps about being broke, calls himself a bitch, and even had the audacity to entitle an album I’m Gay. Way too outlandish for many hip-hop purists to co-sign, but isn’t that the essence of the culture itself; new innovative methods of self expression without any rules to stifle your creativity?

Based God represents the future. Whether its his music or the lane the music is creating his impact will be revolutionary. He’s continuously pushed the boundaries of subject matter with songs about domestic violence, Aids, cancer, gang violence and many other topics rap artists are too afraid to address. Along with his radical delivery and style of dress he’s become a pioneer of the “new age” of hip hop. Although multi-platinum mainstream success may never be a reality for this McCartney, for future generations his influence will be undeniable.

PUBLISHED 3/29/12
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/based-god-music_b_1381566.html

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SAINTS OR SINNERS

Once one of the saddest franchises in NFL history, the New Orleans Saints used the addition of QB Drew Brees and the devastation of Hurricane Katrina to rally them to the pinnacle of football glory. In 2010 they won the Superbowl and seemed to right the wrongs of 30 years of mediocrity. But what was a story of tremendous retribution has recently been tainted by some disturbing allegations.

Former Saints Defensive Coordinator Gregg Williams renowned for his “win by all costs” mentality may have cost the organization its integrity. From 2009 — 2011 he implemented a pay-to-injure program which awarded $1,000 for forcing an opposing player to the sideline, and $1,500 for removing him from the game completely. The NFL is one of the most dangerous and physically demanding professional sports leagues in the world, but there is an element of “controlled rage” amongst the carnage. Pain and intimidation are the building blocks of the sport, but only when displayed tastefully. The sportsmanship and camaraderie of the league creates an unwritten code of ethics. One that ensures no malicious intent be present while competing. Mr. Williams and the Saints have completely violated this code.

Nevermind the salary cap, and violations of the NFL constitution, cash incentives for purposely injuring opponents is simply and utterly despicable. A total disregard of the values and tradition of the sport. In a league where 90 percent of contracts aren’t guaranteed how could one player so willingly jeopardize the livelihood of another?

Of the twenty seven players accused of participating, Linebacker Johnathan Vilma is taking most of the scrutiny. During the 2010 NFC Championship game he allegedly placed a personal $10,000 bounty on the head of Vikings QB Brett Farve. Following a suspiciously illegal looking hit from Anthony Hargrove in the third quarter Favre was actually forced to leave the game due to an ankle injury. Hargrove was then overheard on the sideline yelling “Favre is out of the game! Favre is done! FAVRE IS DONE!” Hargrove denies ever being paid for the hit, but warranted skepticism still lingers.

As a fan I don’t want players of that caliber wearing my team’s jersey. You should be giving maximum effort on every play simply for the sake of winning! I don’t like the idea of Injurious intent or questionable cash incentives being the motivation for athletes I root for. Why is $1,500 enough to inspire such ill will anyway? The multi-million dollar contracts and signing bonuses aren’t enough?

The target on QB Drew Brees’ back will now undeniably be larger than ever, so how karma plans on punishing them might be a bit more interesting.

PUBLISHED 3/23/12
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/new-orleans-saints-bounties_b_1356142.html

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Niggas In Poorest

“Who the fuck is Margiela??” That’s what most of us wondered the first time we heard The Throne’s “Niggas In Paris.” But Yasiin Bey (the artist formerly known as Mos Def) actually had the balls to say it! His remix of last years biggest record entitled “Niggas In Poorest” was the polar opposite of the original. Where Jay and Ye gave us a three minute look into their outlandishly extravagant lives, Yasiin reminded us how the other 99.9 percent of the planet is living.

The Paris instrumental was one of the best of 2011 and provoked freestyles from Meek Mill, Busta Rhymes, Freeway, Lambo Show, Lil Wayne, Young Jeezy, The Game, and Chris Brown just to name a few! But none came close to matching the perspective or realness displayed by Mighty Mos. He’s always been unfairly labeled a “conscious rapper,” but with the world in a global recession conscious maybe exactly what we need.

Kanye West is one of my favorite artist of all time, and being a rapper from Brooklyn myself, the admiration for Jay-Z goes without saying; but the disconnect between the fans and “Niggas In Paris” was colossal. We don’t know who or what “Margiela” is, we do not own “rollies”, and whats fifty grand to a nigga like me? More Than My Annual Salary!!!

Despite the angle taken by Yasiin on “Niggas In Poorest” it isn’t a “diss record.” Mos Def had a long history of collaborations with Kanye West, and was never really a confrontational MC to begin with. He simply allowed his art to reflect real life, which in this fake it til you make it industry is a rarity. Its great for Jay and Kanye to celebrate their unprecedented wealth and success, but the average fan just can’t relate.

Hip hop music is most powerful when it truly resonates with the listener.

“Niggas In Paris” was undoubtedly the single of the year, but did the genre an even greater justice by creating the opportunity for such a contrasting remix. “Niggas In Poorest” is rap in its purest form. Truthful words, over a borrowed beat, spit by an exceptional lyricist. It can’t get much better than that!! Don’t get caught up in no Throne!

PUBLISHED 3/12/12
CHECK IT OUT ON HUFFINGTONPOST.COM – http://www.huffingtonpost.com/sharief-easterling/mos-def-yasiin-bey-niggas-in-poorest_b_1336929.html

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